Archive for July, 2007

Theo : Brooklyn 11am

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“Brooklyn, 11am”, Theo’s debut release, is no “world music” album. Inspired by a moment – a time and a place - its New York recording, mixing and mastering reflects the fact that this album is a product ready for the international market. Theo is taking it on on its own terms – the Soul/R&B genre. And one listen to the album confirms that it is could be sold anywhere in the world without having to use its “African-ness” to arouse curiosity. Indeed, it’s possibly the most accomplished Soul/R&B album to have been made by an African.

One thing is for certain, though: it won’t be the last. Theo’s following throughout Zambia is massive. The success will spill over to neighbouring countries with similar musical cultures. And with the international music scene opening its doors to African artists, he is at the forefront. So it is less a question of “if” but rather “when” the next African star makes such a high-quality release… and judging by the reactions to “Brooklyn, 11am”, it could well be Theo’s next release that raises the bar once more.

Kapuka : Fresh in the Game

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Zambian based Kapuka’s debut release.

Kapuka is a quiet, humble person, with a soft-spoken voice. He’s always been a diligent worker at school and remains focused on his studies to become an accountant. As the eldest son in his family he feels the pressure to achieve with his life. And rap music has always been the way he expresses himself.

Being the only rap artist in the Star Search contest wasn’t easy, he admits, because the judges were not prepared for him. “They could never give me any material” he says, explaining that all the other artists were given songs to perform. “I had to freestyle my way, for every performance and every audition.” Tough? “Of course! Your mind gets so confused… you don’t want to repeat anything you’ve already said so you’re always trying to create new material…”

Lungelo : Collision

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The hard work that followed, and that ultimately led to that national vote for the People’s Concert in 2006, has paid off, big time. Since his debut album “Collision” hit the streets in October 2006, Lungelo’s delicate combination of chilled township romance, bold expressions of sexuality and honest and emotional lyrics has begun to shift the public’s attention, even changing attitudes about where South African music could be heading.

A collaboration with producer Ryan Belfus, with its unconventional interpretation of ragga, hiphop, R&B - “Kasi-soul” - Collision is a bold work of art. It’s first single, “Andalusia” shot to number one on Goodhope FM and has since stayed on high rotation. His second single “Dirty Girl” is played on radio stations across the country and the music video is played on MTV Base and Channel O. Most recently, the attention has been from South-East Asia, where he has been invited to perform in the coming year.

Viola : Singiziba

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Simon “Ghettochild” Sibanda, who produced the album, and who wrote “…..”, the Xhosa song on the CD, has only good words to say about Viola. “She has real power in her voice” he says, and he believes she will undoubtedly become another one in the line of exceptional divas from Southern Africa.

But it’s the Zambian producers she worked with that she credits with creating the unique sound that is Viola. “They brought out the best in me” she says of Chippoh “Hatman” Makwembo, Mubanga (MKV) and Chali “Bravo” Mulalami. As a Zambian, it may be no surprise that her greatest inspiration is Maureen Lilanda, the country’s much loved female vocalist. And although she would be too humble to admit that she may be following in her footsteps, Viola is honoured to be following where Maureen has led.

In the words of Yoel Kenan, director of Runway Music, “Viola is a African woman full of energy, warmth and love. Her music is no different.” The Celtel Star Search unearthed her, but the performer that she is would have broken out at some stage. One hearing of her album will justify that.

Phrased Differently

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For a long time music in South Africa, like the society that created it, was divided. Lately I have felt that the lines that separated our music are beginning to blur and in these smudges, new forms are growing like fungus on a wall. In the cracks, you can see bands like the BLK JKS, Tidal Waves and Buckfever Underground and artists like Paul Hanmer and Tumi defining new musical languages for South Africa. They feel a freedom to take little pieces of everything that surrounds them, to make music that is distinctly South African and has clear artistic vision. The past no longer hangs around the necks of these artists - sure it is something to be used - but only as much as the next thing.

While this new sense of freedom is producing some startling results, some of which can be sampled on this CD, these musicians have a responsibility to lay a platform for the future of South African music. For that we will need committed artists of the highest integrity.

Lloyd Gedye

Verses Volume 1

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The Verses Sessions, started in 2005 by Nicole Moody, are monthly open-mic spoken word sessions at Zula Bar, Long Street, Cape Town and have a staunch following of audience members and performing artists. The voices on Verses, the first ever compilation album of spoken word in South Africa, urge us to Take Heed. And, to quote Yoel Kenan’s introduction on the inside cover of the album, “it’s long overdue on a continent where the oral tradition has been of such importance through the ages.”

“Spoken word” is standing in front of a microphone and speaking your mind. It’s a performance art with a growing following, including familiar names like Kanye West, Lauryn Hill and Joolz. Less well-known but with hugely loyal cult followings, people like Ani Di Franco, Jack Kerouac and Kwame K Kwame, are recognised as some of the most important social commentators of our time.

In Verses you’ll find a diversity of voices from Cape Town. They all have a message. The titles alone tell you that, but the gist of what is being told comes across in full-blooded emotion with the voices of the artists mingling with music. Sultry messages of love and lust twist into cries of pain and betrayal; voices spitting-mad with history’s injustices peter out into whispers of hope. Laments for ancestral heroes and even-keeled denunciations of the social system speak boldly, plainly, frankly.

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The artists involved represent the versatility of this medium - beatboxers, rappers, poets and musicians. All (with the exception of Chi, who lives in Johannesburg) are based in Cape Town. Their words reflect the gritty reality of their lives in South Africa today; sentiments of a young country in a changing world, whether it’s about the transient nature of love (and the unending allure of jazz) in Nicole Moody’s “Love and Jazz”, a rail against South Africa’s historically-defined social order in Teba’s “Stand Up”, or the poetically sculpted message of anti-institutionalism of Aiden’s “Take Heed”.

With a caliber of musicians like SAMA award-winning Clare Philips and rising hip hop star Lungelo to induce an atmosphere, the charisma of a lone voice speaking out to the world on each of these eleven tracks, is seductively, enduringly, simple. As Nicole Moody, the founder of the Verses Sessions says in her introduction to the album:

“…maybe you’ll see something of yourself in them. Maybe you’ll hear something riding in between a verse that’ll inspire you. Maybe you’ll recognise your own story.”

Balkanology Volume 1

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The Balkanology parties have fast been gathering a following in Cape Town since they began in May 2006. The concept started in Europe in the late 90’s: vodka-fuelled all-night gypsy dance extravaganzas, offering an alternative to the predictable club scene in places like Berlin. The underground DJ’s (particularly DJ Shantel) and the clubs involved gained large and loyal followings for their electronic mixes of traditional folk tunes.

In Cape Town the Balkanology parties, with Dj Toby2shoes, have gathered as much of a buzz as they did in Europe (perhaps even moreso), because of the relatively small overall party scene. Capetonians love a celebration and Balkanology fits in perfectly with their love of eccentricity. Styled as Eastern European gypsy camps with caravans, bales of hay, tents with tarot and palm-readers, goats, chickens and pigs, these parties are an opportunity to dress up and go wild.

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